ORCHESTRA
The New City - hommage à Lebbeus Woods (2011-12) for orchestra and electronics
Duration: ca. 10 minutes
Commissioned by Südwestrundfunk / Donaueschinger Musiktage
First performance: October 16, 2020, Donaueschingen
SWR Symphonieorchester, Titus Engel
Die unendliche Feinheit des Raumes (2019) for orchestra and electronics
Commissioned by Kunstsiftung Sachsen Anhalt
Duration: 70 minutes
First performance: 27. October, 2019 SinusTon Festival, Magdeburg
Mendelssohn Orchester Leipzig, Manuel Nawri
Tropes (2014) for large orchestra
Commissioned by Philharmonie Essen
Duration: 58 minutes
First performance: 16. November, 2014, Festival Now!, Essen Philharmonie, Essen
Essener Phlharmoniker, Jonathan Stockhammer
Wu Xing/Water (2013) for large orchestra
Commissioned by Radio France / Festival Présences
Duration: ca. 14 minutes
First performance: 13. Februar, 2014, Festival Présences Paris, Chatelet
Orchestre Philharmonique de Radio France, Ilan Volkov
Dreamspace (2011) for ensemble and large orchestra
Commissioned by Staatstheater Oldenburg / Netzwerk Neue Musik
Duration: ca. 20 minutes
First performance: October 16, 2011 Staatstheater Oldenburg
Oldenburgisches Staatsorchester/oh-ton ensemble, Thomas Dorsch
Wu Xing/Metal (2010-11) for large orchestra
Commissioned by SWR
Duration: ca. 14 minutes
First performance: Dec. 3, 2011, Stuttgart
SWR Orchestra Stuttgart, Jonathan Stockhammer
Wu Xing/Fire (2009-10) for orchestra
Commissioned by Staatstheater Cottbus
Duration: 6 minutes
First performance: June 11, 2010, Cottbus
Philharmonisches Orchester Cottbus, Evan Christ
Tightrope Dancer (1996) for orchestra
Duration: 9 minutes
First performance: August 18, 1999, Seiji Ozawa Hall - Tanglewood
Tanglewood Symphony Orchestra, Stefan Asbury
Gammes (1995) for large orchestra
Duration: 8 minutes
First performance: December 5, 1995, Jordan Hall, Boston
New England Conservatory Orchestra, Tamara Brooks
CHAMBER ORCHESTRA / CONCERTI
Transatlantic Jukebox (2011-12) for piano and chamber orchestra
Duration: ca. 20 minutes
Commissioned by Mendelssohn Kammerorchester Leipzig
First performance: October 20, 2012, Magdeburg
Mendelssohn Kammerorchester Leipzig, Heather O’Donnell, Gunnar Harms
Kagura (2010) for flute and chamber orchestra
Duration: 15 minutes
First performance: February 6, 2011. Musica Nova, Helsinki
Avanti! Chamber orchestra, Camilla Hoitenga, Baldur Brönnimann
BIG BAND
White City (2017/18)
Commissioned by Auswärtiges Amt der Bundesrepublik Deutschland to celebrate “Bauhaus 100”
First performance: - March 10, 2018 Musikakademie Trossingen
ENSEMBLE (5-16)
Hadron (2020) for Basset Clarinet and String Quartet
Duration: ca. 10 minutes
Commissioned by Mozartgesellschaft Schwetzingen
First performance: October 4, 2020, Mozartefest Schwetzingen 2020, Schloss Schwetzingen
Niko Friedrich, Eliot Quartett
Into Silence (2018) for six instruments and fixed media
Duration: ca.11 minutes
Commissioned by Music's Recreation Collective, Ithaca, NY
First performance: April 15 , 2018, Ithaca Arts Center, Ithaca, NY
Music's Recreation Ensemble
Alice Blue (2013) for six instruments and Nord Stage Synthesizer
Duration: ca.13 minutes
Commissioned by Radio France / Festival Présences, Salle Olivier Messiaen
First performance: February 16 , 2014, Paris
Ensemble Mosaik, Guillaume Bourgogne
Superstructure (2013) for six percussionists
Duration: ca.14 minutes
Commissioned by WDR / Percussions de Strasbourg
First performance: February 15 , 2014, WDR Cologne
Les Percussions de Strasbourg
Passagio (2013) for four voices and four saxophones
Duration: ca.12 minutes
Commissioned by Heinrich Schütz Musikfest / Blindman Ensemble
First performance: October 17, 2012, Frauenkirche Dresden
Blindman Ensemble
Transience (2013) for Koto, Kayagum, Changgu and Guzheng
Duration: 8 minutes
Comissioned by Soundscape East Asia Project with Support from the Ernst von Siemens Musikstiftung
First performance: February 9, 2013 Soundscape East Asia Festival, Berlin
Asian Art Ensemble
Amber (2011-12) for two string quartets
Duration: 14 minutes
Co-commissioned by NDR Das Neue Werke / Philharmonie Luxembourg
First performance: May 11, 2012 Philharmonie Luxembourg
Ensemble Resonanz, Enno Poppe
Anser indicus (2011) for accordion, bass clarinet, violin, viola and cello
Duration: 8 minutes
Commissioned by Ensemble L’Arsenale / Villa Romana Florence
First performance: Nov. 4, 2011. Villa Romana
Ensemble L’Arsenale
Stratigraphie II (2009-10) for 6 instruments and electronics
Duration: 12 minutes
Commissioned by Ministery of Culture France (Commande d’etat)
First performance: March 10, 2010 Ars musica Bruxelles
Ensemble CAIRN, Guillaume Bourgogne
Stratigraphie I (2007) for 6 instruments and 6 loud speakers
Duration: 14 minutes
Commissioned by DeutschlandRadio / Deutsche Akademie Rom
First performance: January 21, 2008, Ultraschall Festival Berlin
OENM, Johannes Kalitzke
Mobile Resonance (2006-07) for 8 instruments and live-electronics
Duration: 17 minutes
Commissioned by Festival Musiqe Action/Centre André Malraux, Nancy
First performance: May 16, 2007, Nancy
Ensemble Ultim’Asonata
Clair-Obscur (2005-06) for 7 instruments and live-electronics
Duration: 16 minutes
Commissioned by Maerzmusik / Berliner Festspiele
First performance: March 22, 2002, Kammermusiksaal Berliner Philharmonie, Maerzmusik 2006
ICTUS Ensemble
Jardin des Fleuves (2003-04) for 16 instruments, two Timées and live-electronics
Duration: 17 minutes
Commissioned by IRCAM/Centre Pompidou
First Performance: Dec. 11, 2004, Tremplins,
Ensemble Intercontemporain, Pierre-André Valade
Diastema (2001/02) for 14 instruments
Duration: 12 minutes
Commissioned by MATA Festival (New York) and Nouvel Ensemble Modern (Montréal)
First performance: April 12, 2002, Orensanz Foundation MATA Festival of Contemporary Music New York
Nouvel Ensemble Modern, Lorraine Vaillancourt
Phantom Islands (2000) for 14 instruments and electronics
Duration: 11 minutes
Commissioned by the Tanglewood Music Center / Harvard University(Paul Fromm Award) for the
Tanglewood Festival of Contemporary Music 2000
First Performance: - August 13, 2000, Seiji Ozawa Hall - Tanglewood
TMC Fellows
Revised version: - May 19, 2001, Alte Oper - Frankfurt
Ensemble Modern, Stefan Asbury
- December 9, 2002, Centre Pompidou - Paris
Ensemble Intercontemporain, Jonathan Nott
Aqua Vit (1999) for 8 instruments
Duration: 8 minutes
Performances: - April 11, 1999 - New York City
Speculum musicae
Finnagain Speaking (1997) for 9 instruments
Duration:10 minutes
First peformance: August 14, 1997, Harris Hall - Aspen, CO
Aspen Contemporary Ensemble, cond. by Wolfram Neubert
Quaestio (1994) for chamber orchestra
Duration: 4 minutes
First performance: April 29, 1994, New England Conservatory - Boston
Conservatory students, cond. by Oliver Schneller
SOLO -> QUARTET
Rays (2023) for trumpet and piano
Duration: ca.9 minutes
Commissioned by University of Washington, Seattle
First performance: February 12, 2024, Uiversity of Washington
Cuong Vu and Cristina Valdez
If you build it (2018) for flute, percussion, and double bass
Duration: 18 minutes
Commissioned by Network for New Musik Philadelphia
First performance: April 8, 2018, Philadelphia Academy of Fine Arts
Network for New Music Ensemble
Autumn Music (2016) for Koto, Gayageum, Vn, Va, Db
Duration: 11 minutes
Commissioned by Asian Art Ensemble
First performance: November 16, 2016, Konzerthaus Berlin
Asian Art Ensemble
Zoetrope (2016) for flute, clarinet, and viola
Duration: ca.11 minutes
Commissioned by Festival Musique Action 2017 / Centre Culturel André Malraux
First performance: May 4, 2016, CCAM Nancy, Ensemble Ultim’asonata
Superstructure II (2014) for one percussionst and electronics
Duration: ca.12 minutes
Commissioned by Nagoya University of the Arts
First performance: February 27 , 2014, Nagoya University, Japan
Sao Aoki, perc., Oliver Schneller, electronics
Introjections (2013) for string quartet
Duration:17 minutes
Co-commissioned by Cité de la musique, NDR, Beethoven Festival Bonn
First performance: - January 18, 2014, Biennale Quatuor à cordes, Cité de la musique, Paris
Kuss Quartett
Transience (2013) for Gayageum, Koto, Gucheng, and Changgu
Duration 9 minutes
Commissioned by Ensemble IIIZ+/Soundscape East Asia Festival
First performance: - February 9, 2013, Villa Elisabeth, Berlin
Haiku (2012) for solo violin
Duration 3 minutes
Commissioned by Columbia University Department of Music
First performance: - April 4, 2012, Italian Academy at Columbia University New York
Miranda Cuckson
Sunday in the Park (2011) for accordion
Duration:4 minutes
Commissioned by Susanne Stock
First performance: - November 11, 2011, Klangwerkstatt Festival Berlin
Susanne Stock
Cyan (2011) for two pianos and two percussions
Duration:10 minutes
Commissioned by Berlin PianoPercussion / Siemens Musikfstiftung
First performance: - November 21, 2011, Konzerthaus Berlin
Berlin PianoPercussion
Open Space (2010) for organ and electronics
Duration: 7 minutes
Commissioned by Landeshauptstadt München/Evangelische Stadtakademie Müchen
First performance: - February 5, Erlöserkirche München
Michael Grill, Organ; Christoph Reiserer, electronics
Blips&Ifs (2010) for flute, clarinet, piano, violin, cello (music after Stuart Davis with optional video)
Duration: 8 minutes
Commissioned by Freundeskreis Hauskonzert Musik für heute e.V.
First performance: - October 28, 2010 Musik 21 Hannover
Ensemble S, Stephan Meier
Scattered Scene (2009) for Kalimba and live-electronics
Duration: 7 minutes
Commissioned by Jennifer Hymer
First Performance: - September 12, 2009, KLANG! Container, Hamburg
Jennifer Hymer, Kalimba; Georg Hajdu, electronics
Rugged Space (2009) for piano, accordeon and live-electronics
Duration: 13 minutes
Commissioned by ZKM
First Performance: - December 11, 2009, PianoPlus Festival, ZKM Karlsruhe
Duo Hölscher/Holmach
Paysage sauvage (2008-9) for trumpet, trombone, four percussions and electronics
Duration: 9 minutes
Commissioned by WDR Cologne / Witten Tage für Neue Kammermusik
First Performance: - April 24, 2009, Witten Tage für Neue Kammermusik
Ensemble S
Jagged Landscape (2009) for flute, accordeon, piano and cello
Duration: 12 minutes
Commissioned by Münchner Biennale 2009
First Performance: - June 17, 2009, Klangspuren Plus, Gasteig München
Hara/Junge/Ischenko/Mayr
The Path (2008) for clarinet, accordeon, percussion and live-electronics
Duration: 10 minutes
Commissioned by Duo Badczong/Paté
First Performance: - December 14, 2008, Berlinsche Galerie
Badczong/Paté/Neffe
Musica ficta (2008) for flute, oboe, clarinet, percussion, piano and live-electronics
Duration: 12 minutes
Commissioned by Wien modern 2008
First Performance: - November 13, 2008, Wien modern 2008
Ensemble Mosaik
Anaclasis (2008) for recorder, trumpet, sho, piano, cello and electronics
Duration: 11 minutes
Commissioned by Takefu International Music Festival 2008
First Performance: - September 08, 2008, Takefu, Japan
Ensemble Next Mushroom Promotion
Resonant Space (2007) for 2 pianos and 2 percussions
Duration: 12 minutes
Commissioned by WDR Cologne / Witten Tage für Neue Kammermusik
First Performance: - April 20, 2007, Witten Tage für Neue Kammermusik
Ensemble 2 x 2
Track & Field (2006-07) for piano, four loud speakers and video-projection
Duration: 11 minutes
Commissioned by “piano optophonique” with funds provided by Hauptstadtkulturfonds Berlin
First Performance: - January 20, 2007, Ultraschall-Festival Berlin,
Heather O’Donnell
Twilight Dialogues II (2006) for flute, clarinet, viola and piano
Duration: 10 minutes
First Performance: - Dec 15, 2006, Auditorium Roma,
Ensemble Recherche
Engine (2006) for accordeon and 5 loudspeakers
Duration: 6 minutes
First Performance: - June 6, 2006, German Academy Villa Massimo, Rome
Claudio Jacomucci
Die Unendliche Feinheit des Raumes (2005)
“theatrum sonorum” for organ, hrn, perc & tuba, eight loud speakers and video projection
Duration: 58 minutes
First Performance: - Oct. 14, 2005, 4. Magdeburger Concerte, Kuturfestung Mark, Magdeburg
Turbulent Space (2005) for recorder and live-electronics
Duration: 9 minutes
Commissioned by Lucia Mense
First Performance: - Jan 25, 2005, Electronic Counterpoint, Cologne
Lucia Mense
String Space (2005) for violin, viola, cello and live-electronics
Duration: 8 minutes
Commissioned by Ars Nova Music Festival (SWR)
First Performance: April 16, 2005, Ars Nova Rottenburg
KNM Berlin
This is what I am seeing here (2005) for clarinet, violin, cello and piano
Duration: 8 minutes
Commissioned by Radio France
First Performance: May 27, 2005, Radio France - Paris
Solistes de l’Ensemble Intercontemporain
And Tomorrow (2004) for piano and live-electronics
Duration: 8 minutes
Commissioned by Puffin Foundation New York
First Performance: March 16, 2004, Maerzmusik Festival 2004, Berlin
Heather O’Donnell
Twilight Dialogues I (2003) for flute, clarinet, viola and percussion
Duration: 9 minutes
First Performance: - May 15, 2003, International Composers Review Belgrade,
musikFabrik
Five Imaginary Spaces (2001) for piano and live-electronics
Duration: 12 minutes
First Performance: - October 26, 2001, Espace de projection, IRCAM - Paris
Heather O’Donnell
Soleil (2000) for flute and piano
Duration: 7 minutes
Commissioned by National Flute Association USA
First Performance: - Oct. 25, 2000, NFA Convention, Dallas
Topoi (2000) for clarinet, violin, cello and piano
Duration: 9 minutes
Commissioned by Meet the Composer/Arts Endowment Commissioning Music/USA
First Performance: - October 4, 2000, Kennedy Center - Washington, DC
Elm City Ensemble
Trio (1999) for accordion, cello and piano
Duration: 9 minutes
Commissioned by Composers Concordance, Inc. New York
First Performance: - February 25, 1999, Kosciuszko Foundation - New York City
Mikko Luoma; John Whitfield; Heather O'Donnell
Suite for Four (1999) for Baroque cello, flute, oboe and trumpet
Duration: 15 minutes
Commissioned by CrossSound Festival
First Performance: - July 10, 1999, Northern Lights Church - Juneau, Alaska
Phoebe Carrai; Sally Schlichting; Jan Coldwell; Rick Trostel, cond. by Oliver Schneller
Joyce Paraphrases (1998) for amplified string quartet and computer-generated tape
Duration: 25 minutes
Commissioned by ARTS&SOCIETY, Inc. with funds provided by Meet the Composer/New England
Foundation for the Arts
Performances: - June 14, 1998, Katherine Cornell Theatre - Martha's Vineyard, MA
Whitman String Quartet
Five Miniatures After Maurice Sendak (1998) for brass trio
Duration: 6 minutes
First performance: February 7, 2001, Watson Hall, Cincinnati College Conservatory - Cincinnati, OH
Conservatory students
Clouds (1998) for piano
Duration: 8 minutes
First performance: - June 6, 1998, Slee Hall Buffalo State University - Buffalo, NY
Stephen Manes
Aurora (1997) for piano
Duration: 11 minutes
First performance: - May 24, 1998, Graduate Center CUNY - New York City
Heather O'Donnell
Processional Suite (1996) for two guitars
Duration: 12 minutes
Commissioned by Duo Sonare
First performance: - May 12, 1999, Musikhuset Aarhus, Denmark
Hersing Guitar Duo, Copenhagen
Marsyas (1996) for amplified flute and cello
Duration: 10 minutes
Commissioned by Katinka Kleijn/Chicago Symphony Chamber Players
Performances: - May 12, 1996, New England Conservatory - Boston
Gaspar Hoyos, Katinka Kleijn
Labyrinth (1996) for piano
Duration: 6 minutes
Commissioned by Javier Ruiz
Performances: - May 7, 1996, New England Conservatory - Boston
Javier Ruiz
- July 20, 1996, Centre Acanthes - Avignon
Sylvia Schmied
Reed-Weed (1996) for saxophone
Duration: 10 minutes
Performances: - February 7, 1996, Toru Takemitsu Memorial Concert, NEC - Boston
Oliver Schneller
- November 18, 1997, Graduate Center CUNY – New York City
Oliver Schneller
Hoqueterie (1996) for 2 saxophones, guitar and percussion
Duration: 9 minutes
First performance: - March 24, 1996, Jordan Hall - Boston
NEC Honors Jazz Quartet
Kumoijoshi (1995) for koto and soprano saxophone
Duration: 6 minutes
Commissioned by Mizuyo Komiya
First performance: - March 30, 1996, New England Conservatory - Boston
Jeff Hudgins; Mizuyo Komiya
Big City Divertimento (1995) for saxophone quartet
Duration: 9 minutes
First performance: - April 4, 1995, New England Conservatory - Boston
Lenie Saxophone Quartet
Sieben Bilder (1995) for piano
Duration: 13 minutes
First Performance: - November 20, 1995, Jordan Hall - Boston
Sharon Quo
VOCAL MUSIC
kireji (2015) for vocal ensemble and electronics
Duration: ca.11 minutes
Commissioned by SWR Stuttgart
First performance: November 13, 2015, Theaterhaus Stuttgart
Schola Heidelberg, Walter Nussbaum
Tinder (2013) for Tenor voice and piano
Duration: ca.4 minutes
Commissioned by Liedwerkstatt Kissinger Sommer / Ernst von Siemens Musikstiftung
First performance: July 7, 2013, Kissinger Sommer, Bad Kissingen
Karol Koszlowski, tenor; Jan Philip Schulze, piano
Monodie (2011) for female tenor and electronics
Duration: ca.8 minutes
Commissioned by Vokalconsort Labia Vocalia
First performance: March 17, 2012, Forum Gestaltung, Magdeburg
Tabea Wollner, Tenor; Labia vocalia, electronics
Mugen (2011) for Noh singer and electronics
Duration: ca.9 minutes
Commissioned by Ernst von Siemens Musikstiftung / Ryoko Aoki
First performance: October 28, 2011, Shibaura Center, Tokyo
Ryoko Aoki, voice; Oliver Schneller, electronics
Abendlied (2009) for voice (speaker), violin, cello and clavichord (Text: Johann Peter Hebel)
Duration: 6 minutes
First performance: May 21., Reutlingen
ensemble cross.art
Candidum lilium (2005) for 2 sopranos, 2 tenors bass voices, and live electronics
Duration: 10 minutes
First performance: - June 14., Kloster Unser Lieben Frauen, Magdeburg
Ensemble labia vocalia, Klangregie: Oliver Schneller
Pour Schnabelmax. Hommage à Max Ernst (1999) for counter tenor, tenor and bass
Duration: 5 minutes
First performance: - July 1999, Dawn Upshaw Masterclass - Tanglewood
Tamara Hummel; Robert Gildon; Patrick Evans
Alice Setting (1997) for soprano, choir, percussion, strings and piano
Duration: 6 minutes
First performance: - May 1997, Graduate Center CUNY - New York City
CUNY Music Students, cond. by Gil Peres
Three Songs after Hopkins, Shelley and Meredith (1994) for soprano and piano
Duration: 8 minutes
First performance: - April 30, 1995, Jordan Hall - Boston
Monika Yunus; Kate Bowan
Rice Pudding (after A.A.Milne) (1993) for speaker and piano
Duration: 3 minutes
First performance: - February 14, 1995, New England Conservatory - Boston
Dan Felsenfeld; Rachel Jimenez
ELECTRO-ACOUSTIC WORKS
Cyclotron (2017) composition for 140 loudspeakers
Duration: 9 minutes
Commissioned by CubeFest 2017 for diffusion at the Institute of Creation, Arts and Technology, Virgina Tech
The Cartographers Dream (2010) 16 Channel electroacoustic composition
Duration: 12 minutes
Commissioned by Musik 21 e.V. Hannover
First performance: June 16, 2010, Platz der Weltaustellung, Hannover
Cell Cycle (2007) 8.1 Channel electroacoustic composition with video projection
Duration: 11 minutes
Commissioned by Karnatic Lab Festival Amsterdam
First performance: Karnatic Lab Festival 07, Muziekgebouw Amsterdam , April 14, 2007
Voice Space (2007) 6 Channel interactive sound installation
Commissioned by German Academy Villa Massimo, Rome - Gropius Bau Berlin, March 1, 2007
Mobile Music (2002) 2 Channel electroacoustic composition
Duration: 7 minutes
Proteus (1999) 2 Channel electroacoustic composition
Duration: 11 minutes
Commissioned by Janet McShain
First performance: “EARTHDAY ‘99” Philadelphia Academy of the Arts - Philadelphia
Bell/Man (1998) 2 Channel electroacoustic composition
Duration: 7 minutes
First performance: May 2, CMC Concert Miller Theatre – New York City
Variations on a Word (1997) 2 Channel electroacoustic composition
Duration: 14 minutes
COLLABORATIVE WORKS / INSTALLATIONS
Telemann Sphere (2017): 24 channel installation
Commissioned by Kulturbüro Magdeburg for the TELEMANIA Festival 2017
Kunstmuseum Magdeburg April – August 6, 2017
Trojan Lion (2010): 5.1 Channel interaktive sound installation
Commissioned by Peter Wyss Architects
Stadthaus Galerie Zug (CH) 27-30 September 2010
An Atlas of Sounds (2009): 42 Channel Audio-visual Installation
Commissioned by Berliner Festspiele / ha’atelier Werkstatt für Kunst und Philosophie
Gropiusbau Berlin, Nov.4. 2009 – Jan.18, 2010
Lichtkörper (2009): 4 Channel Sound Installation for suspended speakers
Commissioned by Denkmalschmiede Höfgen, Grimma
Collaborative audio-visual Installation with Alexander Polzin
IO (2006): 5.1 Channel Installation
Duration: 24 minutes
Commissioned by Curtis Anderson / Gallery Jule Kewenig, Cologne
First performance: “IO” Galeria Jule Kewenig, Palma de Majorca, Oct. – Nov. 2006
Cento Correnti (2006) 20.1 Channel Sound Installation
Loop duration: 25 minutes
Collaboration with Iris Dupper, Funds provided by BMW Rome
German Academy Villa Massimo, Rome June – Dec. 2006
Ritratto Romano (2006): Soundtrack to a video work of Christoph Brech
Duration: 16minutes
Duets I-VII (2006-11): Soundtracks to seven video works of Eberli/Mantel, Zürich
Duration:7x 3 minutes
Passage (2004): Soundtrack to a video work of Almut Determeyer
Duration: 4 minutes
EARLY WORKS
Ma io…(1993) for clarinet
Duration: 5 minutes
First performance: - March 1993, Aufenanger-Schülerkonzert - Bonn
Konrad Gerstel
Duo (1993) for French horn and double bass
Duration: 7 minutes
Drei Satze für Streichtrio (1992) for violin, viola and cello
Duration: 7 minutes
First performance: - March 1993, Aufenanger-Schülerkonzert - Bonn
Conservatory students
Chip Maze I/II (1991) for computer-generated tape
Duration: 4 minutes
First presented April 1991 at the Institut für Neue Musik und Musikerziehung - Darmstadt
Vier Capriccen (1990) for piano
Duration:7 minutes
Seelenwanderung (1989) for two flutes, two clarinets and two French horns
Duration: 6 minutes
Commissioned by Markus Parusel
First performance: - January 1988, Gallerie Parusel - Bonn
Conservatory students
Incidental music to Berthold Brecht's The Caucasian Chalk Circle (1984) for voice and piano
Duration: 8 minutes
First performance: - April 1984, International School Manila, Philippines
ORCHESTRATIONS / ARRANGEMENTS
Cole Porter: You’re the Top
Arrangement for Wind Band (2012)
Commissioned by Cornell University Windband
First performance: - March 10, 2012, Cornell University, Ithaca, NY
Richard Rogers: My Funny Valentine
Arrangement for full orchestra (2007)
Commissioned by Ithaca Festival Orchestra
First performance: - May 16, 2007, Cornell University, Ithaca, NY
Gerald Marks: All of Me
Arrangement for full orchestra (2007)
Commissioned by Ithaca Festival Orchestra
First performance: - May 16, 2007, Cornell University, Ithaca, NY
Maurizio Kagel: Zehn Märsche um den Sieg zu verfehlen, Mvmts. V, IX
Arrangement for Chamber Orchestra (1995)
First performance: - March 25, 1995, Festival of Jewish Music, New England Conservatory - Boston
Arnold Schönberg: op.19, Mvmts. I/II/VI
Orchestration for Chamber Orchestra (1990)
program note & score excerpt
Score available through C.F. Peters.
Dreamspace (2011) for ensemble and large orchestra
Commissioned by Staatstheater Oldenburg / Netzwerk Neue Musik
Duration: ca. 20 minutes
First performance: October 16, 2011 Staatstheater Oldenburg
Oldenburgisches Staatsorchester/oh-ton ensemble, Thomas Dorsch
https://on.soundcloud.com/UKzxr
Score available through C.F. Peters.
Wu Xing/Metal (2010-11) for large orchestra
Commissioned by SWR
Duration: 16 minutes
First performance: December 3, 2011 , Stuttgart
SWR Orchestra Stuttgart, Jonathan Stockhammer
Score available through C.F. Peters.
Wu Xing/Fire (2009-10) for orchestra
Commissioned by Staatstheater Cottbus
Duration: 6 minutes
First performance: June 11, 2010, Cottbus
Philharmonisches Orchester Cottbus, Evan Christ
Sccore available through C.F. Peters.
Tightrope Dancer (1996) for orchestra
Duration: 9 minutes
First performance: August 18, 1999, Seiji Ozawa Hall - Tanglewood
TMC Orchestra, cond. by Stefan Asbury
Gammes (1995) for orchestra
Duration: 8 minutes
First performance: December 5, 1995, Jordan Hall - Boston
New England Conservatory Orchestra, cond. by Tamara Brooks